Shakespearean expert and literary historian Stephen Greenblatt lectured students at the University of Science and Arts of Oklahoma on "Shakespearean Beauty Marks." Stone appeared with her in her award winning 1970s television series, Justice, in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. In the 17th and 18th centuries, smallpox was running rampant in Europe. She made no more films with Wilcox who called her "a director's joy who can shade a performance or a character with computer accuracy" but admitted their collaboration "did not come off. Lockwood so impressed the studio with her performance particularly Black, who became a champion of hers she signed a three-year contract with Gainsborough Pictures in June 1937. It's all Marilyn Monroe's fault," singer Kelly Rowland told People. A Margaret Lockwood performance was apparently the inspiration for Sean Pertwee's death scene in the 2002 film Dog Soldiers. Our editors will review what youve submitted and determine whether to revise the article. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. She added, "But he obviously also found them sexy. had a bit part in the Drury Lane production of "Cavalcade" in 1932, [13] According to Filmink Lockwood's "speciality [now] was playing a bright young thing who got up to mischief, usually by accident rather than design, and she often got to drive the action. A three-time winner of the Daily Mail Film Award, her iconic films 'The Lady Vanishes', 'The Man in Grey' and 'The Wicked Lady' gained her legions of fans and the nickname Queen of the Screen. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. However she was soon to suffer what has been called "a cold streak of poor films which few other stars have endured. The films worldwide success put Lockwood at the top of Britains cinema polls for the next five years. Photograph: Cine Text/Allstar Sat 29 Nov 2008 19.01 EST No 37 Margaret Lockwood, 1916-90 She was born in India, a daughter of the Raj, brought up in England by a cold,. Her first moment on stage came at the age of Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. According to the American Academy of Dermatology, there are severalkinds of birthmarks, but each one fits into just two main groups: pigmented and vascular. "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. The film was the most successful at the British box office in 1946, and she won the first prize for most popular British film actress at the Daily Mail National Film Awards. Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. "All beauty marks are moles,"Neal Schultz, a New York City-based cosmetic and medical dermatologist and host of DermTV, explained. She also starred in the television series Justice (197174). Yet much more than Leigh, especially after Scarlett OHara, Lockwood was the kind of girl youd want to walk home from the pictures in the blackout, or, if you yourself were a girl, walk home with arm-in-arm, dodging puddles and drunkenconscripts. In July 1946, Lockwood signed a six-year contract with Rank to make two movies a year. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as "Toots", who was also to become a successful actress. From the books you read to the clothes you wear, there are plenty of ways to make a political statement. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. Lockwood died from cirrhosis of the liver at the age of 73 in London. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. Even more popular was her next movie, The Lady Vanishes, directed by Alfred Hitchcock, produced by Black and co-starring Michael Redgrave. PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. This film was a success, launching Lockwoods career, and Gaumont extended her contract from three to six years. The Leons separated soon after her birth and were divorced in 1950. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. I used to love her films.. Her short film career, finishing with the 1960 comedy No Kidding, was over by the time she was 20. It also helps other women with beauty marks to have an ally with which to identify. After what she regarded as her mother's painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughter's performance in "The Wicked Lady", she snapped: "That wasn't acting. Location: Fullerton, CA. Lockwood later admitted "I was far from being reconciled to my role of the unpleasant girl and everyone treated me warily. She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. You can play him as a fey creature or right down to earth. Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. Lorem ipsum dolor sit amet. Ive never been able to figure out what would i write about myself. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. Madeleine Marshtold BBC that it wasn't untilHollywood came to be that moles transformed from something to be abhorred to something to be admired. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. ", The Times (17/Jul/1990) - Obituary: Margaret Lockwood, http://the.hitchcock.zone/w/index.php?title=The_Times_(17/Jul/1990)_-_Obituary:_Margaret_Lockwood&oldid=145800. She lived her final years in seclusion in Kingston upon Thames, London. If you notice your beauty mark starting to lookasymmetrical, theborder or edges are uneven, it has variations incolor, grows indiameter, orevolves over time, you should make an appointment with your dermatologist to get it checked out. As both parents were rarely around at that point, Julia spent the war years with her grandmother and a nanny. Gaumont British were making a film version of the novel Doctor Syn, starring George Arliss and Anna Lee with director Roy William Neill and producer Edward Black. Her body was cremated at Putney Vale Crematorium. In spite of this, she was warmly remembered by the public. "Hollywood revolutionised women's faces," Marsh explained, "Suddenly you were seeing these HUGE women's faces, bigger than we had ever seen them before." As a result, Margaret took refuge in a world of make-believe and dreamed of becoming a great star of musical comedy. [12], She followed this with A Girl Must Live, a musical comedy about chorus girls for Black and Reed. Long live the mouches! Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. The film had one of the top audiences for a film of its period, 18.4 million. Yet, even she considered having surgery to get rid of it. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. A first-time star, she gave an intelligent, convincing performance as the curious girl who confronts an elderly lady (May Whitty) who seems to vanish into thin air on a train journey. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. When I marry, I shall have a large family. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, vestibulitis, caused her to turn her back gradually on a glittering career. When the author Hilton Tims was preparing his biography, Once a Wicked Lady, a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, Give her these from me. Contents 1 Plot 2 Cast 3 Production 4 Reception That was natural." The flow of performances by Lockwood in the 1940s meanwhile amount to a consistent grappling and overcoming of victimhood. Several kings and queens even succumbed to the disease and, according to History.com, it is thought that 400,000 commoners died each year as a result. One of those famous faces was Marilyn Monroe. For other people named Margaret Lockwood, see, Margaret Lockwood in Cornish Rhapsody which comes from the British War Time Film "Love Story" and starred Margaret as a lady concert pianist. Much more popular than either of these was another melodrama with Arliss and Granger, Love Story (1944), where she played a terminally ill pianist. Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. For Rowland, it all began with putting a dot of black Duo lash glue on her face. A vivacious brunette with a beauty spot on her left cheek, she starred in a wide variety of films, notably the wartime thriller Night Train to Munich (1940), the romantic comedy Quiet Wedding (1941), as the husband-stealing murderess in the period melodrama The Man in Grey (1943), Trents Last Case (1952), Cast a Dark Shadow (1955), and as Cinderellas stepmother in The Slipper and the Rose (1976). Her RADA-trained voice was posh, of course, but not supercilious.Her gentle beauty was heightened by different degrees of melancholy in Bank Holiday (1938) and The Lady Vanishes (1938), undimmed by her playing an indolent, pouting trollop in The Stars Look Down (1939), and coarsened . In 1965, she co-starred with her daughter, Julia, in a popular television series, The Flying Swan, and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wildes An Ideal Husband. Privacy Policy. Her mother was Margaret Lockwood, raven-haired lead in the Gainsborough studio's period melodramas of the 1940s, including The Wicked Lady. Her likeable core personality made her characters, whether good or evil, easy for women to identify with. She called it "my first really big picture with a beautifully written script and a wonderful part for me. "It was the cutest stinking mole, and I was sold," she admitted. If so, please share it with your friends and family to help spread the word. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was queen among villainesses. But as the film progressed I found myself working with Carol Reed and Michael Redgrave again and gradually I was fascinated to see what I could put into the part. However, her best-remembered performances came in two classic Gainsborough period dramas. And why do people love them or hate them? This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. [35], That same year, Lockwood was announced to play Becky Sharp in a film adaptation of Vanity Fair but it was not made. Grow your brand authentically by sharing brand content with the internets creators. The film's worldwide success put Lockwood at the top of Britain's cinema polls for the next five years. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. Her RADA-trained voice was posh, of course, but not supercilious. The film was the most popular movie at the British box office in 1946. Samuel Pepys, who originally prohibited his wife from wearing one, had a change of heart. [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. Job in Fullerton - Orange County - CA California - USA , 92835. However, after being given an initial leg-up by her mother famous for the trademark beauty spot painted high on her left cheek the young Lockwood forged her own career, navigating the difficult transition from child to adult actor. "I would get teased by the other kids in school, so I definitely wanted to get it removed," the supermodel told Vogue. MARGARET LOCKWOOD Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. A rather controversial biographer once . 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. Lockwood never remarried, declaring: I would never stick my head into that noose again, but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, And Suddenly Its Spring. Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. During her suspension she went on a publicity tour for Rank. She was supposed to make cinema adaptations of Rob Roy and The Blue Lagoon, but both projects were shelved due to the outbreak of World War II. In the postwar years, Lockwoods popularity fell out of favor. ]died July 15, 1990, London, Eng. For the remaining years of her life, she was a complete recluse at her home, in Kingston upon Thames, rejecting all invitations and offers of work. A visit to Hollywood to appear with Shirley Temple in "Susannah of the Mounties" and with Douglas Fairbanks Jr in "Rulers of the Sea" was not at all to her liking. The property has now been converted to flats. A good thing about fake moles is that there's zero risk of one turning into skin cancer. Summary: An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. clerk, was educated in London and studied to be an actress at the "[8] Gaumont increased her contract from three years to six.[10]. 1946 10th most popular star in Australia, 1947 4th most popular star and 3rd most popular British star in Britain. [17][18], Lockwood returned to Britain in June 1939. [30] "I was sick of getting mediocre parts and poor scripts," she later wrote. Margaret Lockwood as Lydia Garth Paul Dupuis as Paul de Vandiere Kathleen Byron as Verite Faimont Maxwell Reed as Joseph Rondolet Thora Hird as Rosa Raymond Lovell as Comte de Vandiere Maurice Denham as Doctor Simon Blake David Hutcheson as Max Ffoliott Cathleen Nesbitt as Mother Superior Peter Illing as Doctor Matthieu Jack McNaughton as Attendant Any moles or flaws are usually Photoshopped out to create the image of beauty." She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. She wouldn't have been the only one to fake it, though. Getty Images. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. For Black and director Robert Stevenson she supported Will Fyffe in Owd Bob (1938), opposite John Loder. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, caused her to turn her back gradually on a glittering career. Miss Lockwood's family would not disclose the . Margaret Lockwood moved out of 30 Highland Rd, London in 1937. Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. She had a bit part in the Drury Lane production of "Cavalcade" in 1932 . Gaumont extended her contract from three to six years. The Wicked Lady (1945) Drama - Margaret Lockwood, James Mason and Patricia Roc Classic Movies 177 subscribers Subscribe 18K views 2 years ago A noblewoman begins to lead a dangerous double life. Simply put, if a person is born with a mole, it is then also considered a birthmark. When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. Seventy years ago, the British film industrys comparatively modest version of the Hollywood studio system meant that the national cinema had not, like MGM alone, more stars than there are in heaven, but enough to make up a small glittering constellation. If you have a real beauty mark, however, you should be aware of what the SkinCancer Foundation calls the "ABCDE" signs of melanoma, the deadliest form of skin cancer. "I like moles. After becoming a dance pupil at the Italia Conti school. [citation needed] She was a guest on the BBC radio show Desert Island Discs on 25 April 1951.[53]. England British actress Margaret Lockwood is pictured reading the newspapers as she enjoys breakfast in bed. Based on the novel by Sir Osbert Sitwell, brother of renowned author Dame Edith Louisa Sitwell, A Place of One's Own (1945) is an atmospheric ghost story set in the Edwardian era that marked the directorial debut of Bernard Knowles and reunited the stars of The Man in Grey (1943) James Mason and Margaret Lockwood. In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. She refused to return to Hollywood to make "Forever Amber", and unwisely turned down the film of Terence Rattigan's "The Browning Version". In June 1939, Lockwood returned to the United Kingdom. A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Enjoying our content? The film was a massive hit, one of the biggest in 1943 Britain, and made all four lead actors into top stars at the end of the year, exhibitors voted Lockwood the seventh most popular British star at the box office. The amount of cleavage exposed by Lockwood's Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was "an unfit mother.". Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. In 1980, she made her final professional appearance as Queen Alexandra in Royce Rytons theatrical play Motherdear.. But what better way to hide one of those "disfiguring scars" than with a cleverly placed beauty mark? Whereas the vulnerability and sentimentalism exuded by Calvert and the hard-edged sexuality or selfishness of the Roc persona were discrete qualities, Lockwood demonstrated a capacity to range through conflicting emotions, especially in Gainsborough films, which explored and exploited womens needs anddesires. She had the lead in a TV series The Royalty (19571958) and appeared regularly on TV anthology series. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). Moles, Mongolian spots, and cafe-au-lait spots are all considered types of pigmented birthmarks. Her profile rose when she appeared opposite Maurice Chevalier in The Beloved Vagabond (1936)[4]. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). She returned with relief to Britain to star in two of Carol Reeds best films, The Stars Look Down, again with Redgrave, and Night Train to Munich, opposite Rex Harrison. She refused to return to Hollywood to make Forever Amber, and unwisely turned down the film of Terence Rattigans The Browning Version. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britain's biggest box-office stars. Beautician, Beauty Salon, Barber, Hair Stylist. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). In 1965, she co-starred with her daughter, Julia, in a popular television series, "The Flying Swan", and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wilde's "An Ideal Husband". They were going to look after me as no one else had done before. Ive been pretty lonely at times.. [40][41] It was not popular. Pigmented birthmarks simply mean your spots contain more color than other parts of your skin. She travelled to Los Angeles and was put to work supporting Shirley Temple in Susannah of the Mounties (1939), set in Canada, opposite Randolph Scott. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! Her body was cremated at Putney Vale Crematorium. Even though British Parliament wanted to put an end to the faux mole craze, some members eventually came around. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. In 1955, she gave one of her best performances, as a blowsy ex-barmaid, in Cast A Dark Shadow, opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. Lockwood had a small role in The Amateur Gentleman (1936), another with Fairbanks. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. A year later, she played another fairy, for 30 shillings a week, in Babes in the Wood at the Scala Theatre. As an only child herself, she had once said: I love children. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. Updates? A free trial, then 4.99/month or 49/year. Innogen from the play "Cymbeline" proves this to be true as she just so happened to have a facial mole, or, beauty mark. The latter title, a gothic melodrama, had been a hit for Gainsborough Pictures . Millions of high-quality images, video, and music options are waiting for you. This naturally raises the question: Why are there two different names? Switch to the light mode that's kinder on your eyes at day time. These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. Her beauty is breathtaking; indeed, the viewer can recall that when Caroline (Patricia Roc) Introduced her to . Prior to leaving, she bravely performs for the plays audience her welling Cornish Rhapsody (written for the film byHubert Bathand made famous by it) while Kit is having a life-threatening operation to save his sight and because Judy is too distraught to go on. The amount of cleavage exposed by Lockwoods Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. Hes a boy with so many emotions. [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. Below are some glamorous photos of young Margaret Lockwood from her early life and career. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. Each time I play him, I discover hidden things I never thought of before, she enthused. Your email address will not be published. When peace came, her mother was keen for her daughter to follow in her footsteps. While a real mole's shape is fixed, a mouche could be designed in a variety of styles. Believing she will die, she gives up her lover Kit (Granger) to an actress, Judy (Roc), who is mounting an outdoor production of The Tempest on a rugged Cornwall coastal spot. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. An atmospheric ghost story based on the 1940 novel of the same title by Osbert Sitwell, it stars James Mason, Barbara Mullen, Margaret Lockwood, Dennis Price and Dulcie Gray. Cindy Crawford and other big names with facial moles. As a result, Margaret took refuge in a world of make believe and dreamed of becoming a great star of musical comedy. InLove Story(1944), a florid romance about the need for self-sacrifice during wartime, Lockwood plays Lissa, a concert pianist who cannot become a Women Air Force Service pilot because she has a weak heart. Lockwood studied at the Royal Academy of Dramatic Art, England's leading drama school, and made her film debut in Lorna Doone (1935). Lockwood then had her best chance to-date, being given the lead in Bank Holiday, directed by Carol Reed and produced by Black. As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as Toots, who was also to become a successful actress. "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwayman for the excitement.
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